Through examples of the Fashion museum of the City of Paris: the Galliera Museum, and the Centre National du Costume de Scène of Moulin (Allier, France), let's see now what storeroom's textile museum look like.
They
often consist of work space big enough. In the work room, we make the
preservation work of textiles, studies and searchs: inventory,
marking, dust removal, photography shooting, costumes's preparation
for an exhibition, use of mannequins... For these 2 museums, these
spaces are on the ground floor of their respective building.
At
the Galliera Museum, the building usual to preservation and
restoration makes 4500 m2 on 3 levels. In the basement, we find the
storerooms. In the CNCS, the storerooms building extend on 1730 m2
and on 3 floors, in these ones are the storerooms.
In
the storerooms of a textile museum, furnitures are specific, and
the dying of textile pieces change compared with a fine arts museum
for example.
At
the Galliera Museum, collections are group together by historic
period, by volumes, by series, and by label. These pieces are hanging
or well tidy at flat according to their fragility. They are in a
mettalic furniture and disapear in a lot of row. They are lock up in
drawers, in cotton cover ("décati"), protect from light,
from dust. These pieces are kept sheltered from looks.
The
furniture, specifically designed, is in metal covered with epoxy
painting under heat. Open for a best ventilation of works stored, it
is divided into 2 systems of tidy: clothes are hanging in the upper
part, when they can support this kind of storage, or keep flat in
drawers in the lower part when they are too fragile or that their
weight and their strucutre don't make possible the hanging.
In
the CNCS, it's the same thing. The tidying to preserve collections,
can contain around 10 000 costumes (namely more 20 000 pieces). There
is a furniture, like compactus (row of wardrobe put on a false floor
with rails), made on the scale of preserve pieces.




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